Category: Opinion

  • Am I addicted to Coke?

    By Samuel Owino

    DISCLAIMER: I do not promote or encourage addiction. This piece is satirical.

    This is a question I have been asking myself for the last year since I started using Coke. Not to be misinterpreted by cocaine, No! No! No! I mean the soda beverage Coca-Cola. I have been drinking way too much of it ever since I started intentionally minding the food I eat; that I learnt from my physical education class.

    I saw in an advertisement last year from the billboard that you can usually see from class at the DAC block when you are zoning out, or looking away from the lecturer so that they do not point at you to answer a question. Anyway on this billboard, it said, “Coca-Cola brings you happiness.” I thought about it for a long time and went out to test if Coca-Cola really brings one happiness.

    After that class, I bought a 500ml bottle of Coca-Cola soda and drank it with really high expectations: an instant mood booster, instant relief, and a moment of happiness, much like you see in the advertisements. I was extremely disappointed that none of these things happened even though I doubted that it would deliver.

    I kept buying Coca-Cola every chance I got to prove the advertisement right and over time it was the only soda I could have. I tried going back to the other sodas but none of them gave me satisfaction of any sort. This couldn’t be true, it didn’t bring me any happiness but it was a kind of bond I had established with this beverage. Soon after I was drinking this soda whenever I felt low, whenever I felt good, whenever I tried to avoid the temptations of trying alcohol. It was my go-to drink now.

    Being with my friends too made me realize this addiction. They are usually stunned by just how much soda I can have in a day. Just today, by 3 pm I had already had three cans of soda— I could start as early as 8 am— and this led me to reflect on how much of this soda I take.

    This also got me thinking about how far advertisement goes and its importance to the customer. I really did start drinking Coke because of an advertisement. I wonder how different my life would be if I had never been in a class in DAC and what other mediocre (in my opinion) drinks I would have been drinking. Would I have thought of them as mediocre? Would I even like soda at all?

     

  • Film Review: The Brutalist

    By Joe Aura, aurajoe6@gmail.com

    The Brutalist is a cinematic masterpiece that has already cemented its place as one of the most talked-about films of the year. Directed by Brady Corbet, the film chronicles the poignant journey of László Tóth (Adrien Brody), a Holocaust survivor and visionary architect navigating the complexities of post-war America. With its emotional resonance, stunning technical execution, and a haunting score by Daniel Blumberg, The Brutalist has garnered significant acclaim and is poised to sweep the Oscars with 10 nominations, including Best Picture and Best Director.

    At its heart, The Brutalist is a story of resilience, identity, and artistry. László’s journey is both deeply personal and universally relatable, as he grapples with the trauma of his past while striving to honour his family’s legacy through architecture. Each structure he designs serves as a tribute to his memories, embodying the stark beauty and complexity of brutalist architecture itself.

    The narrative offers a vivid depiction of the societal and professional challenges faced by immigrants in a rapidly changing America. Corbet masterfully intertwines László’s architectural pursuits with his emotional struggles, creating a story that is as visually striking as it is profoundly moving.

    Adrien Brody delivers a performance as László Tóth, capturing the character’s vulnerability and determination with remarkable depth. Felicity Jones and Guy Pearce shine in supporting roles, adding emotional layers to the story. The cast’s collective brilliance elevates the film, making every moment resonate with authenticity.

    From its sets to its cinematography, The Brutalist is a film feast. The architectural visuals are breath-taking, showcasing rough textures, massive forms, and the dramatic impact of brutalist design. Daniel Blumberg’s haunting score, underscores the film’s emotional depth and leaves an indelible mark on viewers.

    Watching the trailer for The Brutalist reignited my love for brutalist architecture, a style that fascinates me for its rawness and functionality. It reminded me of Jabari’s loft apartment in Entergalactic, the Air Nomad temples 犀利士
    from Avatar: The Last Airbender, and my dream of living in a renovated factory surrounded by greenery. Brutalist architecture’s emphasis on rough surfaces, massive forms, and dramatic shapes makes it both imposing and beautiful, qualities that seem to parallel László’s character and journey.

    The Brutalist is more than just a film, it’s an experience that challenges, inspires, and moves its audience. Brady Corbet has crafted a story that is as monumental as the architectural style it celebrates. This is a must-watch for anyone who appreciates cinema that pushes boundaries and leaves a lasting impact.

    Rating: 9.5/10

    References

    • The Duke Chronicle

    • The Daily Utah Chronicle

    • USA Today

     

     

     

     

     

     

     

     

  • Wicked Review

    Wicked: Part 1 (2024) Review

    By Sean M. Pertet

    SPOILERS AHEAD !

    Wicked Part One is a quirky musical that cleverly sews in comedy and drama. Directed by John.M. Chu, it follows Elphaba (Cynthia Erivo) a green girl who is bullied and scorned for her differences in the fictional and magical Oz. Additionally she has natural magical gifts that make objects defy gravity. Following the obvious complications of her childhood she is the least favorite child as her younger sister is dotted on and treated with much more affection than she is It also doesn’t help that her mother passed away, resulting in her father hating our lime-colored protagonist even more.

    Erivo’s character is sent to Shiz University where she is fated to stumble on the opportunity to study sorcery under the tutelage of Madam Morrible, (Michelle Yeoh) who mentors her. Promising an audience with the Wonderful Wizard of Oz ( Jeff Goldblum).

    A green fish out of water Elphaba Thropp challenges social norms, juggles romance, rivalry and friendship. Taking on the Shiz’s queen bee, Galinda and somehow becoming best friends in the process. A bit cliché. Also cliché is her and the beloved Glinda ( Ariana Grande-Butera) her new best friend ,falling for the same boy. The dangerous, devilishly handsome Prince Fiyero( Jonathan Bailey from Bridgerton). I bet no one saw that coming.

    Despite her wicked appearance, Elphaba takes every chance to show us that she has a strong moral compass. With Glinda by her side, she truly believes that there’s nothing in the world that they can’t face together. In that she is blatantly wrong.

    The final act of the film leaves everyone betrayed. Most especially Glinda and Elphaba.. Ultimately, these two brilliant young women must take stances casting them into their melancholic roles as : Glinda the good witch of the North and Elphaba the wicked witch of the west. Forced once more to play the roles society sets on their shoulders.

    One thing I did not like that much was that the music, as angelic as it was, predicted future events. Giving away plot details and robbing the award-winning film of any suspense. Many details of the film were hinted at in the musical numbers that were released for all to stream months before the film’s premier.

    Another fatal flaw was that they didn’t accomplish their premise in one movie. What made loveable Elphaba wicked? I don’t think that’s something you need two films to tell.

    Just as there were pitfalls the film had a few perks: One, the performances were enthralling to the very last sequence, saturated by an array emotion and hard work in the vocal industry that has earned it’s place in the forgettable history books.

     

     

     

  • The Most Anticipated Movies of 2025

    By Joe Aura 

    The film industry continues its tradition of delivering blockbuster excitement, and 2025 is shaping up to be a year to remember. With a mix of thrilling sequels, nostalgic remakes, and fresh storytelling, this year’s lineup promises to captivate audiences worldwide.

    Here’s a glimpse at some of the most anticipated movies set to hit theaters and streaming platforms in 2025:

     

    February

    Captain America: Brave New World

    The iconic superhero takes center stage as Captain America embarks on a journey that explores his legacy, duty, and humanity in a rapidly changing world.

     

    March

    Snow White

    Disney’s beloved 1937 animated classic gets a live-action reboot. Fans are eager to see how this adaptation breathes new life into the timeless tale of the princess and her seven dwarfs.

     

    May

    Mission: Impossible – The Final Reckoning

    Ethan Hunt (Tom Cruise) returns for his most perilous mission yet, battling an evil AI in a race against time. Will this final chapter solidify the franchise’s legacy?

    Thunderbolts

    A group of supervillains, including familiar faces from the Marvel universe, team up for high-stakes government missions. Expect action, intrigue, and a few surprises.

    Lilo and Stitch

    Disney continues its trend of live-action adaptations with this heartwarming story about family, friendship, and an unusual extraterrestrial pet.

    Karate Kid: Legends

    This new chapter follows kung fu prodigy Li Fong as he navigates life in New York City. With the help of Mr. Han and the legendary Daniel LaRusso, Li learns to channel his strength in and out of the ring.

     

    June

    F1

    Brad Pitt stars as a retired Formula One driver mentoring a younger talent. High-speed action and emotional depth promise to make this film a thrilling ride.

    How to Train Your Dragon

    The beloved animated tale of Vikings and dragons gets a live-action adaptation. Fans will rediscover the story of a young Viking and his unexpected bond with a dragon named Toothless.

    M3GAN 2.0

    The killer doll is back! Following the success of the original, this sequel ups the ante with more thrills, chills, and killer dance moves.

     

    July

    Superman

    This reboot brings the Man of Steel back to his roots, exploring his journey to balance Kryptonian heritage with human values in a modern world.

    Jurassic World: Rebirth

    Five years after Jurassic World Dominion, scientists brave equatorial regions to extract DNA from prehistoric creatures for groundbreaking medical research. But nature always finds a way.

    The Fantastic Four: First Steps

    Set in a retro-futuristic 1960s, the Fantastic Four face their greatest challenge yet—saving Earth from Galactus and the enigmatic Silver Surfer.

     

    September

    The Bride

    In 1930s Chicago, Frankenstein’s monster finds a companion in this reimagined tale. Love, societal upheaval, and intrigue converge in this gothic romance.

     

     

    October

    Michael

    The King of Pop’s life takes center stage in this biopic, exploring Michael Jackson’s extraordinary talent and complex legacy.

    Tron: Ares

    Ares, a highly advanced program, escapes the digital world to complete a dangerous mission in reality. Expect groundbreaking visuals and a gripping story.

     

    November

    Wicked: For Good

    Dive into the untold story of Elphaba and Glinda, exploring their complex relationship and the events leading to The Wizard of Oz.

    Zootopia 2

    Brave cop Judy Hopps and her cunning partner Nick Wilde return for a perilous case that tests their friendship and courage.

     

    December

    Avatar: Fire and Ash

    The sequel to Avatar: The Way of Water promises more breathtaking visuals and an epic continuation of Pandora’s story.

     

    Frankenstein

    Guillermo del Toro’s adaptation delves deep into the monstrous and the human, as Dr. Pretorius continues Frankenstein’s experiments 40 years after the original tale.

     

    2025 is poised to be a cinematic extravaganza, with films that cater to every taste. From superhero epics to heartfelt dramas and nostalgic reimaginings, there’s something for everyone. Which movies are you most excited to watch?

     

  • Film Review: Kids (1995)

    Genre: Drama/Indie Film

    Duration: 1h 31m

    An Indie Film A Day, by Joe Aura, aurajoe6@gmail.com 

     

    Kids* (1995), directed by Larry Clark and written by Harmony Korine, is a raw and unflinching portrayal of teenage life in New York City. The film delves into controversial themes of youth, sexuality, drug use, and the consequences of a reckless lifestyle. With a Rotten Tomatoes score of 47%, an IMDb rating of 7/10, and a Metacritic score of 63%, Kids has divided audiences and critics alike.

     

    The film follows Telly (Leo Fitzpatrick), a manipulative and hedonistic teenager, as he pursues a predatory lifestyle of seducing underage girls. This unsettling character is the kind of figure parents dread—a “sex machine” exploiting naivety. Alongside him are other teenagers navigating a world rife with drugs, violence, and moral ambiguity. Rosario Dawson, discovered at just 15 years old, made her acting debut in the film, playing a role that mirrors the gritty reality of urban youth. Jenny, another pivotal character, brings emotional weight as she discovers her HIV-positive status and embarks on a desperate search to confront Telly.

     

    The film’s graphic depiction of teenage life sparked widespread controversy upon its release, earning an NC-17 rating for explicit content. Its unrelenting honesty makes Kids both difficult to watch and deeply impactful. It shines a harsh light on societal issues such as AIDS misconceptions, stereotypes, and the dangers of unchecked behavior among youth.

    Contrary to misleading synopses, the film does not explicitly state that Telly is aware of his HIV status, which is crucial to understanding his character’s oblivious recklessness. This narrative choice shifts the moral commentary, making the story even more haunting.

     

    Kids remains a cult classic of the 1990s, celebrated for its devastating honesty, brash violence, and brutal humor. It captures the stark realities of growing up in a world without boundaries, providing a snapshot of a generation often ignored by mainstream cinema. Its influence can be seen in later films like Mid90s and City of God, which also explore the struggles of youth with raw authenticity.

     

    Watching Kids is not an easy experience. It made me uncomfortable, but the ability to bring out that discomfort is precisely the beauty of the film—it forces viewers to confront difficult truths. This film opened my mind to controversial subject matters that demand discussion. While it’s not suitable for children, Kids is essential viewing for those interested in exploring the darker corners of youth culture and urban life.

    Larry Clark’s Kids is a cinematic punch to the gut—a film that doesn’t hold back, offering a brutal yet poignant exploration of adolescence. It’s a must-watch for anyone seeking a raw, realistic portrayal of the challenges and consequences faced by a lost generation.

     

  • Why Remove Set Books in Schools?

    By Malia Anam

    Have you heard that the KICD wants to make changes in schools? Not just any changes, but changes that involve removing set books in high schools. I don’t think this is a correct move because removing set books from the curriculum affects a lot of people, including students. Have you thought about students’ ability to analyze situations or even learn new vocabulary? Many set books also address critical issues in our country, like politics, FGM, and so many other topics.

     

    Removing these books can limit students’ opportunities to develop critical thinking skills. Set books are essential for exposing students to complex themes, challenging narratives, and diverse perspectives. Eliminating them would reduce students’ exposure to cultural and historical contexts, leaving them less equipped to understand and relate to past events. It would also diminish their readiness for college and careers. Many colleges value a strong foundation in literature, and these books introduce students to various literary forms and writing styles.

     

    Without set books, students will miss out on important discussions and opportunities to reflect on human nature and societal values. Studying set books helps students learn advanced language structures and literary devices, which may be less emphasized in alternative materials. Removing them could negatively impact students’ language development and their ability to express complex ideas.

     

    The effects of removing set books go beyond just students. Have you thought about what will happen to literature teachers? Some may lose their jobs, especially if literature is their main subject. It would also increase teachers’ workload, as they would have to find new materials and develop new lesson plans, which could vary widely in quality.

     

    There’s also the impact on the writers of these books. Removing set books from the educational list would reduce demand, affecting writers’ income. Writers’ contributions to literature and culture may fade, diminishing their legacy over time. There would be fewer opportunities for readers to study and discuss an author’s work deeply. By discouraging the study of these texts, we may also discourage writers from tackling important social issues.

     

    Removing set books impacts not only writers’ financial stability but also their cultural significance and the role they play in shaping thought and literature. Removing them would strip students of valuable perspectives and diminish our literary heritage. For all these reasons, I strongly believe the KICD should preserve set books in our schools.

     

  • Reflection on Elderly Abuse in Kenya: A Call for Action and Reform

    By Joe Aura, Aurajoe6@gmail.com

    Recent investigations by BBC Africa Eye have unveiled the disturbing and ongoing abuse of elderly individuals in Kenya, highlighting systemic issues affecting this vulnerable demographic. While Africa is often associated with its youthful population, the elderly remain among the most marginalized and mistreated in society. The investigative reports offer an eye-opening glimpse into the harrowing reality that older adults face in Kenya. These reflections are not only important but urgent in the fight for their rights and protection.

    One report, centred on the rising tide of witchcraft accusations, particularly in Kenya’s coastal regions, highlighted how vulnerable the elderly are in rural areas. In Kilifi, accusations of witchcraft often become a tool for personal gain, including disputes over land ownership. The tragic story of seventy-four-year-old Tambala Jefwa, who was attacked twice by his relatives under the guise of witchcraft accusations, stands as a powerful testament to the abuse. These accusations are not typically grounded in traditional beliefs but are driven by greed and power struggles within families. For Jefwa, his torment was rooted in an inheritance conflict, a reality that many elderly people across the country face. This case is not an isolated one, many elderly individuals live in constant fear of being ostracized, assaulted, or even killed under the guise of witchcraft.

    The second report, which uncovered abuse and neglect in Nairobi’s care homes, brings another dimension to the issue of elder abuse. Undercover footage from the Presbyterian Church of East Africa Thogoto Care Home showed staff members abusing residents, neglecting their medical needs, and maintaining unsanitary conditions. These shocking findings revealed a deep failure in Kenya’s elder care system. It is appalling that the very institutions meant to care for our elderly are instead perpetrating harm against them. The lack of proper regulations and oversight in care homes allows this mistreatment to persist, as there is often no one to advocate for the residents, many of whom lack family support.

    Both reports reflect a broader, systemic failure to protect the elderly in Kenya, and indeed, across much of the continent. The absence of strong legal frameworks, community protections, and societal respect for the elderly means that many older adults are left to suffer in silence. In rural areas, the elderly are vulnerable to abuse under the guise of cultural or traditional beliefs, and in urban settings, they face neglect in care homes meant to provide refuge in their twilight years.

    As I reflect on these two investigations, it becomes clear that much needs to be done to address these pressing issues. On the legal front, Kenya needs to implement stronger elder protection laws and ensure they are rigorously enforced. This includes cracking down on witchcraft accusations and introducing harsher penalties for those who exploit the elderly for personal gain. In the realm of elder care facilities, it is imperative that comprehensive reforms are made. Care homes must be subjected to regular inspections, and those found to be in violation of the basic human rights of elderly residents should face serious consequences.

    More importantly, these issues highlight a need for a cultural shift in the way society views aging. In many African cultures, aging is often associated with weakness, irrelevance, or even a burden to younger generations. This perspective needs to change, and a new narrative must be built around valuing the wisdom and contributions of the elderly. A society that neglects its elders is a society that has lost its moral compass.

    In response to the abuse highlighted in these investigations, it is crucial that communities take collective responsibility. Families and caregivers must be educated on the importance of elder care, not just as a familial duty but as a fundamental part of human dignity. Beyond that, there needs to be greater public awareness of elder abuse and neglect. This means calling out and addressing these injustices wherever they occur.

    As I consider the gravity of these reports and the stories they tell, I am reminded of the importance of fighting for the rights of the elderly. This issue cannot be swept under the rug any longer. The time for action is now. Through both legal reform and a cultural shift in how we view the elderly, Kenya and Africa at large can begin to address these systemic issues and offer the respect, care, and protection that the elderly deserve. This is not just a matter of social justice but a reflection of our shared humanity.

     

  • Decolonization Through Art: Reclaiming Identity and Shaping the Future

    By Joe Aura, aurajoe6@gmail.com

    Decolonization remains a powerful and unfinished story, woven with struggles for independence, identity, and self-determination. From the historic European colonization of Africa to the ongoing political and cultural battles that continue today, the road to freedom has been long and challenging. But the story of decolonization is not just one of political shifts, it is also a tale of cultural reclamation. Art has emerged as a vital tool in this process, helping communities around the world challenge colonial legacies, reclaim their identities, and create more inclusive futures.

    Across the globe, art has proven to be an essential form of resistance. From the post-colonial artistic movements in Africa to Indigenous art in the Americas and Oceania, creative expression has been instrumental in the decolonization process. It serves not only as a reflection of cultural pride but also as a platform for marginalized voices to challenge historical injustices and imagine new futures. Art is not just about painting or sculpture, it is about reclaiming control over narratives, about resisting the imposed cultural dominance of colonial powers.

    The Global Fight for Independence

    European powers carved up Africa at the Berlin Conference of 1884-85, leading to the economic exploitation and political domination of African nations. The impact of colonization was felt deeply across the continent, where systems of governance, cultural practices, and education were all shaped to serve colonial interests. The struggle for independence was long and hard-fought, with key figures like Ghana’s Kwame Nkrumah leading the charge against imperial powers.

    Nkrumah’s leadership, especially as Ghana became the first African nation to gain independence in 1957, was pivotal. His vision for an African renaissance tied independence not just to political autonomy but also to cultural restoration. Nkrumah’s Ghana was seen as a beacon of hope for African liberation, inspiring other nations to follow suit. The struggle for self-determination was not just political, it was also cultural, as African countries sought to reclaim their cultural heritage from centuries of colonial erasure.

    In many ways, the decolonization of Africa was a direct response to these historical wrongs, fuelled by a desire for freedom and cultural autonomy. Yet, the remnants of colonialism still affect these nations today. Many territories remain in the form of non-self-governing territories (NSGTs), and Africa continues to fight for more equitable representation on the world stage, particularly within the United Nations Security Council.

    Art as a Vehicle for Resistance and Identity

    Art has always been an essential form of resistance. It has allowed societies to express dissatisfaction with colonial rule, preserve traditional practices, and even challenge the very foundations of colonialism. In Africa, the role of art in decolonization has been significant, from the visual arts to music, literature, and performance. These forms of expression became crucial in the reclamation of African identity.

    For example, Nigerian writer Chinua Achebe’s novel Things Fall Apart (1958) critiqued colonial rule and its devastating impact on traditional Igbo society. Achebe’s work was more than just a story; it was a resistance to the colonial narrative that had often depicted Africans as “savages” in need of Western civilization. By writing from an African perspective, Achebe redefined how the world viewed Africa and its people.

    Similarly, South African musicians like Miriam Makeba and Hugh Masekela used their music as a tool for protest during the apartheid era. Their songs expressed resistance to colonial oppression and later to apartheid, using music as a means to tell stories of hardship, pride, and resilience. Art provided a platform to demand political freedom, but it also created a space for communities to assert their cultural autonomy.

    One of the most notable examples of art as a vehicle for cultural restoration is the Sankofa movement, which advocates for the return to African roots. This concept, embodied in various forms of African art, literature, and performance, encourages a revisiting of African history and traditions to help build a better future. Artists in Ghana and beyond have embraced Sankofa as a way to preserve African heritage, restore cultural practices that were suppressed under colonial rule, and assert the importance of African identity in the global context.

    Decolonization in the Modern World: Art and Education

    Today, the fight for decolonization continues, not just in political arenas but also in cultural spaces. Education plays a key role in this ongoing struggle. Schools and universities in Africa and the Caribbean are beginning to incorporate decolonial curricula that explore colonial history and its modern repercussions. Students are not just learning about their history but are also engaging with how colonial legacies continue to shape their present lives.

    In countries like Kenya, universities have started to promote art as a form of resistance, with cultural hubs such as the Nairobi National Museum and the Go Down Arts Centre offering spaces for young artists to explore themes of decolonization. These institutions are not only preserving cultural heritage but also engaging in public dialogues about identity, power, and resistance. For example, contemporary Kenyan artists use mixed media to critique both the historical and ongoing impact of colonialism, drawing attention to issues such as land ownership, social inequality, and identity.

    In the Caribbean, art has similarly played a vital role in decolonization efforts. The work of Jamaican-born artist and writer Edward Kamau Brathwaite, for example, has emphasized the power of language and cultural expression in the post-colonial world. His concept of nation language, which refers to the use of African-influenced dialects, challenges the dominance of colonial languages and highlights the significance of local traditions in shaping modern identities.

    The Global Push for Decolonization

    While many African nations have gained independence, the decolonization movement is far from over. The fact that 17 territories remain non-self-governing and subject to the control of colonial powers highlights the continued struggle for true sovereignty. This issue is especially poignant in places like Western Sahara, which is still under dispute between Morocco and the indigenous Sahrawi people. The call for decolonization extends beyond Africa; in the Pacific, Indigenous groups are similarly calling for self-determination and cultural restoration.

    Art continues to play a pivotal role in these struggles for independence. Indigenous art forms in regions like the Pacific Islands and Australia, for example, have become tools for reclaiming land, language, and cultural practices that were systematically erased by colonization. Artists from these communities are now using their work to tell their stories, preserve their heritage, and resist colonial control over their cultural expression.

    Art as a Catalyst for Change

    Decolonization is more than just a political movement, it is a cultural one. Art, in all its forms, plays a crucial role in reclaiming lost identities, challenging colonial narratives, and imagining a future built on equality and justice. Whether in Africa, the Caribbean, or the Pacific, artists are at the forefront of this movement, using their creativity to assert cultural pride, critique historical wrongs, and pave the way for a more inclusive world.

    Through the lens of art, the decolonization process continues to unfold, offering new opportunities for intercultural dialogue, resistance, and healing. As this global movement progresses, it is clear that art is not merely a reflection of the past but a tool for shaping the future, one that values diversity, celebrates cultural heritage, and advocates for justice and self-determination on the global stage.

     

  • Wawira Njiru’s Fight Against Child Hunger

    Transforming Lives Through Food for Education

    By Joe Aura, JoeAura6@mail.com

    In a world where millions of children still face hunger and malnutrition, one woman is making a significant impact in the fight against this silent crisis. Wawira Njiru, a Kenyan social entrepreneur, is at the forefront of efforts to combat child malnutrition in Kenya through her pioneering initiative, Food for Education. Her work is helping not only to address hunger but also to improve educational outcomes, creating a blueprint for a future where no child has to suffer from a lack of essential nutrients.

    The Crisis of Child Malnutrition in Africa

    Despite global efforts to combat hunger, millions of children, particularly in Africa, continue to miss out on the nutrients necessary for growth and development. According to a report by the Bill & Melinda Gates Foundation, over 400 million children worldwide are affected by malnutrition, leading to stunted growth, impaired cognitive abilities, and long-term health challenges. In Kenya, the statistics are alarming: one in four children under the age of five suffers from stunting, especially in rural areas where access to nutritious food is scarce.

    This widespread malnutrition undermines not only the health of children but also their potential. Malnutrition limits their ability to learn, participate in school activities, and break the cycle of poverty. The urgent need for effective, sustainable solutions to combat child hunger and malnutrition has never been clearer.

    Wawira Njiru’s Vision: Food for Education

    In the face of this crisis, Wawira Njiru founded Food for Education in 2016, a program aimed at providing nutritious, affordable meals to schoolchildren across Kenya. The initiative was born out of Wawira’s personal experiences and her desire to make a real difference in the lives of children affected by hunger. Since its launch, the program has provided over 50 million meals to schoolchildren, positively impacting their health, school attendance, and academic performance.

    Njiru’s approach is both innovative and cost-effective, with each meal costing as little as 3–4 US cents. This affordability has made the program one of the most scalable meal initiatives in the world. By working with local suppliers and focusing on locally sourced ingredients, Food for Education provides meals that are both nutritious and sustainable. But the impact goes beyond food, the initiative also plays a key role in improving school attendance and performance.

    “When children are well-fed, they perform better in school,” says Njiru. “They are more focused, healthier, and better equipped to learn.”

    Dishi Na County: A Partnership for Greater Impact

    Njiru’s latest initiative, Dishi Na County, launched in partnership with Nairobi County, is taking the Food for Education model to new heights. This ambitious program aims to feed 250,000 children daily, addressing hunger while also providing a platform for improving educational outcomes.

    Dishi Na County takes a technological leap by incorporating the Tap2Eat platform, allowing children to pay for meals with smartwatches. This innovative system makes the meal distribution process more efficient, minimizing barriers, and making it easier for families to access healthy meals.

    The program’s success lies in its ability to address several systemic issues at once: hunger, poor school attendance, and lack of resources. By providing consistent, nutritious meals, the program is helping to break the cycle of malnutrition and create a healthier, more productive future for children.

    The Personal Touch: Voices of Those Impacted

    To truly understand the importance of Food for Education and initiatives like Dishi Na County, it’s crucial to hear directly from those who benefit from it. Parents and children who have received regular meals through these programs share their stories of transformation.

    Jemimah, a mother of two in Nairobi, shares how her children’s performance in school has improved since joining the program. “Before, my children were often sick and couldn’t concentrate in school. Now, they are healthier and more focused,” she says.

    Similarly, Mwangi, a student at a local school, proudly recounts how receiving meals at school has allowed him to stay in class longer and perform better. “I feel strong when I eat at school, and I can study better,” he says with a smile.

    These personal stories illustrate how access to food can dramatically change a child’s daily life, academic performance, and ultimately their future.

    A Model for the Future

    Food for Education’s innovative model serves as a blueprint for addressing child malnutrition and food insecurity across Africa and beyond. The program has shown that with the right partnerships, technology, and a commitment to sustainable solutions, it is possible to create a future where no child is left behind due to hunger.

    Wawira Njiru’s dream is clear: to ensure that every child has access to nutritious food, a healthier future, and the opportunity to thrive. “The impact of providing a child with food goes beyond just filling their stomachs; it’s about empowering them to reach their full potential,” she says.

    As global efforts to combat malnutrition continue, initiatives like Food for Education are leading the way in demonstrating how scalable, cost-effective solutions can change the trajectory of millions of children’s lives.

    The Path Ahead

    The fight against child malnutrition is far from over, but Wawira Njiru’s work has shown that transformative change is possible. With continued support, innovative programs like Food for Education can help ensure that every child, no matter where they are, has the opportunity to grow, thrive, and succeed.

     

  • Africa’s Diplomatic Awakening: Time for a New Global Role?

     By Joe Aura, Aurajoe6@gmail.com

    In a historic turn of events, the United States has recently voiced its support for granting Africa two permanent seats on the United Nations Security Council (UNSC), a proposal that could shift the balance of global diplomacy. The Security Council, a vital institution in maintaining global peace and security, has been dominated by five permanent members, the U.S., the U.K., France, Russia, and China, since its formation in 1945. These nations not only hold permanent membership but also possess veto power, allowing them to block any substantive decisions. This structure, however, excludes a continent of more than 1.2 billion people, Africa, a region burdened with some of the world’s most pressing security challenges.

    Currently, African nations occupy three rotating, non-permanent seats on the UNSC, a limited role with no veto power. The U.S.’s recent endorsement for two permanent seats for African nations, albeit without veto power, has sparked debate across the globe. Some view this move as a step toward inclusivity, while others see the exclusion of veto power as a form of continued marginalization.

    The Case for Permanent African Representation

    Africa’s case for permanent seats on the UNSC is compelling, particularly as the continent’s geopolitical and economic influence continues to grow. From peacekeeping missions to economic partnerships, African countries play an increasingly central role in global governance. The growing number of conflicts in the region, from terrorism in the Sahel to ongoing instability in the Horn of Africa, further underscores the need for stronger African representation in global decision-making.

    Sierra Leone’s President, Julius Maada Bio, has voiced the importance of justice and equity in the UNSC’s decision-making processes. His position aligns with that of many African leaders who argue that Africa’s contributions to global security and economic growth justify its call for a stronger voice at the table. The challenge, however, lies in whether Africa’s inclusion in the Council will truly reflect a shift in global power or merely reinforce existing inequalities.

    The Growing Debate: South Africa vs. Nigeria?

    In the wake of the U.S. proposal, debates about which two African countries should receive permanent seats have taken center stage. Recent surveys reveal a preference for South Africa and Nigeria, with South Africa leading the charge. In the first round of voting, South Africa emerged as the top choice, securing 32.8% of votes, while Nigeria garnered 15.6%. Other notable contenders included Kenya, Egypt, and Ghana.

    The second round, conducted in October 2023, solidified South Africa’s position as the top contender, with 32.8% of respondents pairing it with Nigeria. The backing of both nations stems from their economic power and political influence. Nigeria, with its vast population and growing economy, has already asserted its claim. Foreign Minister Yusuf Tuggar highlighted Nigeria’s democratic credentials and its role as a leading force in African diplomacy, stressing that the country should be considered for a permanent seat due to its size, economic prowess, and democratic standing.

    South Africa, with its strong voice in African and global politics, also views itself as a natural choice for the seat. However, as Chrispin Phiri, spokesperson for South Africa’s Department of International Relations, suggested, while the survey results are interesting, it is too soon to make any conclusions about who should represent Africa on the Council.

    Unity and Challenges within Africa

    Despite the apparent unity in Africa’s call for a permanent seat, experts caution that there are complexities involved in choosing which countries should represent the continent. Priyal Singh, an analyst at the Institute for Security Studies in Pretoria, emphasizes that while South Africa and Nigeria are economic powerhouses, other nations such as Kenya, Egypt, and Ethiopia also have strong claims based on their regional and global influence.

    The African Union (AU) has made it clear that it expects its representatives to have veto power, particularly if the five existing permanent members retain theirs. Uganda’s Ambassador to the UN, Adonia Ayebare, has underscored that Africa will not settle for second-class treatment. “If there is a veto, why not have it?” he asked, reinforcing the idea that Africa’s status on the global stage should reflect its growing influence and not simply be a token gesture.

    What Does the Future Hold?

    The road to securing permanent seats on the UNSC will not be straightforward. The choice of which countries will occupy those seats, if the proposal passes, will ultimately be decided at an African Union summit. This decision will likely be a complex one, influenced by various factors, including population size, contributions to peacekeeping, and economic influence.

    Furthermore, it remains to be seen how the global community will react to Africa’s potential inclusion. While the U.S. has offered its support, other powers, particularly China and Russia, may have different priorities when it comes to expanding the Security Council. As U.S. Ambassador Linda Thomas-Greenfield noted, the proposal is a significant step forward, but challenges remain, especially regarding the question of veto power.

    In conclusion, the question of whether it is time for Africa to reshape global diplomacy is one that will have profound implications for the future of the UNSC and global governance. As the continent continues to grow in both power and influence, the call for stronger representation is becoming louder. But whether this will translate into permanent seats on the UNSC, and whether those seats will come with the veto power that Africa insists upon, remains to be seen. What is clear, however, is that Africa’s role in global diplomacy is poised to expand, and the world may be on the verge of a diplomatic shift that redefines international relations for the 21st century.